Studio
Katja Gretzinger

Work
About
References
Contact
Work

2011
Candide No 4
Katy Feuersenger
ZJO 2011
Adaptation Theories

2010
Candide No 3
Toponymisches Heft
ZJO 2010
Thermostat
Cooperative Designs
Temporary City Book
IBA Stadtumbau

2009
Candide
Of an Obscure Desaster
ZJO 2009
When Attitudes become Design
Temporary City
Red Sky Morning
FAZ A moment's manifesto

2008
European Kunsthalle
FAZ Wissen und Bedenken
Nichts ist ...
Fancity
ZJO 2008
ZJO New Plans

2007
After 1968
Paul Hendrikse
OOOPP
Slave to Freedom
FAZ Sandmann
Triumph of Religion
ZJO Anniversary
ZJO 2007
FAZ Lost in transmission

2006
Logo Parc
MOCA MAAS
Resonance
Mark Curran
Adolf-Grimme-Institut
ZJO 2006

2005
Eoghan McTigue
Tallinn 60x90
Michael John Whelan
Say Yes
Berlin Addictive
ZJO 2005
Beyond Swiss Tradition
FAZ Zurich Housing

-2004
Movement Research
FAZ Argentina
Schillerstiftung
Sommerplakat
Regina Magazine
Rockwoche
Wasserstadt
Management Revue

Projects

German Design Institute
Figuren und Gegestände








Tallinn 60x90, 18 Fortune Posters
A workshop with the design students of the Tallinn Art Academy, 2005

Examining the diversity of a city like the Estonian capital and - even more importantly - finding out something about its microcosms, was the starting point for our workshop.

How does Graphic Design influence the perception of a certain location, and how do posters - beside the ordinary use for advertising - relate to the place where they are put?

We held a two-week workshop with first and second year Graphic Design and Photography students from the Estonian Academy of Arts. Fortune favours the brave: we asked the students to throw darts at the Tallinn-city-map in order to randomly pick places to work with. After visiting and inspecting the selected spots, taking photos, making notes, etc., the students started to design and produce posters in the given format: 60x90cm, while personal relations to the places had to be found or constructed. By dealing with the unexplored, the evolving ideas revealed unexpected visual, historical and textual viewpoints. Towards the end of the workshop the finished posters were taken back to the fifteen locations around Tallinn, displayed, and photographically documented within their surroundings. In this way, the final poster exhibition happened twice: first throughout the city and secondly in the gallery space, accompanied by a photographic documentation and short information about the processes behind it.

The culmination of the workshop exceeded all expectations in demonstrating how the potential of a seemingly banal location can be unleashed to extraordinary effect. The students showed what can be achieved when the classic ideas of poster design are put aside for a moment, in order to become totally in tune with context and situation.